̷ dzƮ ϸ . . ...

 

 

 

 

 

Diatonic Harmony:

Root Position Chords of

Triads and Dominant 7th Chords

 

ȭ :

ġ ȭ

       

 

Tonic Triad (  )

 

 

Supertonic Triad ( )

 

 

Mediant Triad ( /   )

 

ȭ

 

Subdominant Triad (  )

 

ݵ3ȭ

 

Dominant Triad ( )

 

 

Dominant 7th Chord (   )

 

 

Submediant Triad (  )

 

Ʒ3ȭ

 

Leading-Tone Triad (  )

 

̲3ȭ

 

Subtonic (  ) (only available in minor)

 

Ʒȭ ( )

 

 

 

 

 

 

Chopin: Mazurka, Op. 17, No. 1
   

,   ,   

Authentic Cadence, AC ()

Imperfect Authentic Cadence, IAC (ҿ)

Tonic Prolongation (ȭ )

 

Mozart: Piano Sonata in Bb, K. 570, Mvt. 2 (mm. 1-4)
   

I, ii, IV, V, V7

Accented Passing Tone (APT, ڰ)

Appoggiatura (App., Ÿ)

Authentic Cadence, AC ()

Escape Tone (ET, )

Perfect Authentic Cadence, PAC ()

Retardation (Ret., )

Suspension (Sus., )

 

Scheid: Bergamasca

 

 

Authentic Cadence, AC ()

Dominant 7th Chord (7ȭ)

Perfect Authentic Cadence, PAC ()

Subdominant (ݵȭ)

Tonic (ȭ)

 

Schumann: Faschingsschwank aus Wien (), Op. 26, No. 3, Scherzino

 

 

Authentic Cadence, AC ()

Dominant 7th Chord (7ȭ)

Half Cadence, HC ()

Imperfect Authentic Cadence, IAC (ҿ)

Subdominant (ݵȭ)

Tonic (ȭ)