̷ dzƮ ϸ . . ...

 

 

 

 

 

Modulation:

Common-Chord Modulation

 

:

ȭ

 

 

 

 

 

 

Beethoven: Bagatelle, Op. 33, No. 4

 

 

Anticipation (Ant.) ()

Augmented 6th Chord (It.6, Ger.6, Fr.6) (6ȭ)

Common-Chord Modulation (to Relative Major Key) (ȭ, )

Pycardi 3rd (ī3)

Secondary Dominant (εȭ, μȭ)

Suspension (Sus.) ()

Tonic Pedal Point ()

 

Beethoven: Piano Sonata No. 14, Op. 27, No. 2, "Moonlight," Mvt. 1

 

 

III in Minor (Mediant) ( III, ȭ)

VII in Minor (Subtonic) ( VII,Ʒȭ)

Common-Chord Modulation (to Relative Major Key) (ȭ, )

Chromatic Modulation ( )

Neapolitan 6th Chord (N.6) (6ȭ)

Tonic Pedal Point ()

Tonic Prolongation (ȭ )

 

Beethoven: Piano Sonata No. 29, Op. 90, Mvt. 1

 

 

Augmented 6th Chord (Ger. 6) (6ȭ, 6ȭ)

Common-Chord Modulation (to Relative Major Key) (ȭ, )

Secondary Dominant ( ,  ) (εȭ, μȭ)

Secondary Leading-Tone 7th Chord ( ) (̲7ȭ)

 

Schubert: Winterreise (ܿﳪ׳), No. 10, "Rast"

 

 

III (Mediant Triad, ȭ)

VII (Subtonic : Ʒȭ)

Augmented 6th Chord (6ȭ : It.6, Ger.6, Fr.6)

Modulation: Common-Chord Modulation (ȭ ())

Modulation: Phrase Modulation (DZ)

Nonharmonic Tone: Suspension( Sus.), Appoggiatura (App.)

Pycardi 3rd (ī3)

Retardation (Ret.) ()

Secondary Dominant (εȭ, μȭ)

Tonic Pedal Point ()