음악이론 강의노트를 공개하며 . . ...

 

 

 

 

 

Secondary Dominant Chords

 

부딸림화음 (부속화음)

       

 

 

Beethoven: Bagatelle, Op. 33, No. 4

 

 

Anticipation (Ant.) (선행음)

Augmented 6th Chord (It.6, Ger.6, Fr.6) (증6화음)

Common-Chord Modulation (to Relative Major Key) (공통화음전조, 관계장조로 전조)

Pycardi 3rd (피카르디3도)

Secondary Dominant (부딸림화음, 부속화음)

Suspension (Sus.) (계류음)

Tonic Pedal Point (으뜸지속음)

 

Beethoven: Piano Sonata No. 29, Op. 90, Mvt. 1

   

Augmented 6th Chord (Ger. 6) (증6화음, 독일6화음)

Common-Chord Modulation (to Relative Major Key) (공통화음전조, 관계장조로 전조)

Secondary Dominant ( ,  ) (부딸림화음, 부속화음)

Secondary Leading-Tone 7th Chord ( ) (부이끔7화음)

 

Chopin: Mazurka, Op. 33, No. 3

 

 

Borrowed Chord (차용화음)

Common-Tone Modulation (bVI Key) (공통음 전조, 장3도 관계조)

Nonharmonic Tones (다양한 종류의 비화성음)

Secondary Dominant (부딸림화음, 부속화음)